No soundtrack is more perfect for your 2010 summer than this classic rock from 1991. Songwriter Billy Childish’s bluesy punk rock pairs unbelievably well with the stripped-down vocals from the singer Holly Golightly. There’s not a bad track out of the twelve delightfully brief garage pop tunes. Start with “First Plane Home,” where the catchy group vocals and relentless guitar riff are through after just 99 seconds.
It’s hard to imagine a band getting more exposure than by playing at the opening ceremony of the World Cup. With the eyes of the world on South Africa last Thursday, the nation’s own BLK JKS delivered what was arguably the best performance of the night.
At the heart of their music is a tenacious fidelity to afrobeat, a mélange of traditional African styles with progressive Western ones like funk and jazz. However, the BLK JKS have upped the ante, casting the elements of afrobeat in the unlikely mold of alternative rock, while referencing such disparate genres as dub, prog, and psychedelia. Incredibly, the combinations, transitions, and contrasts never sound forced with these guys – that’s because all four BLK JKS are also really smart composers. Their new album Zol! showcases this talent, particularly on “Paradise,” in which the band moves from dystopian guitar riffs to sun-soaked Afro-Cuban interludes in the blink of an eye.
BLK JKS wrote the title track from Zol! as an unofficial World Cup anthem. It’s a joyous song, and easily the most “traditional” track on the album. So it was surprising when they chose to play the more aggressive, politically-charged “Mzabalazo” at the opening ceremony instead. But I’m not complaining: it’s my favorite song on the new album. It’s also a more fitting one to share with the world, as it shows just how BLK JKS mix the heaviness of Western rock with the musical vocabulary of Africa.