Posts Tagged ‘piano’

The first thing that comes to mind when you think of the jazz piano are probably smoky late night bars and cool cats in fedoras.

But would you think of quilting?

Jason Moran does.  Along with critical acclaim for his technique, this jazz innovator is gaining recognition for his more avant garde compositional sensibilities, taking inspiration from unlikely sources, including modern art and ballet.

Moran was recently commissioned to write a suite for “The Architecture of the Quilt” at the Philadelphia Museum of Art, an exhibition celebrating the quilters of Gee’s Bend, Alabama.

Last week, Moran visited Studio 360 and played one of his songs for the exhibition, “Blue Blocks.”  He explained to Kurt how he composed the tune by re-imagining the striking colors, patterns, and shapes in the quilts.

Quilters of Gee's Bend, Alabama

We’ll broadcast more of Kurt’s conversation with Jason Moran soon.

– Britta Conroy-Randall


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The Informant!

Strangely overlooked in this year’s Oscar nominations – even for Marvin Hamlisch’s kinetic score – “The Informant!” gets inside the highly unreliable thoughts of Mark Whitacre (Matt Damon), a biochemist turned whistleblower for Archer Daniels Midland.  Amid beige cubicles, the story unravels in surprising and funny ways, complete with bad disguises and James Bond-style tactics gone wrong.

Hamlisch is also the composer behind the musical “A Chorus Line” and the movie “The Sting.”  In a recent visit to Studio 360, Hamlisch sat behind the piano and conjured up the melodies from his long list of musical credits.

– Cary Barbor

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