You wouldn’t guess that Infra, an ambient-classical piece by Max Richter, was originally conceived as a score for Britain’s Royal Ballet; nothing about it screams “dance” to me. While the music leaves the choreography to our imagination, it translates into an album quite nicely. Richter contrasts melodic chamber arrangements with subtle swaths of static and electric ripples. Yet the colors don’t clash: on record they gel to suggest a painting, rather than a dance.
– Stephen Reader